“To tell a documentary story means programmatically chasing after one’s own staging and constantly being overtaken by reality. One sets guardrails, builds milestones that one intends to pass, but unlike in a feature film, the story remains a construction site. Best until the end.
Coming Soon: HEAD OF MOUNTAINS. CHASING THE ELEMENTAL (2026)
HEAD OF MOUNTAINS is an attempt to trace the sudden and the unpredictable—the unexpected that awaits us within the elemental. It is a cinematic counterpoint to a world increasingly devoted to total availability and control. A search for meaning in which the mountains are not reduced to a backdrop, but encountered as a presence in their own right: a counterpart, a space of resonance, and a source of dialogue.
Protagonists: Bernd Arnold, Thomas Andreas Beck, Holger Birkholz, Bodo Hell, Thomas Hrovat, Peter Gasser, Mich Kemeter, Rose Klaus, Kerstin Kowarik, Laura Maiss, Helga Peskoller, Hans Reschreiter, Siegfried Tscholl
Roadmap: 2026 Cinema and Festivals. 2027 Broadcasting at ORFIII.
WILD IN THE MOUNTAINS. MEDITATIONS ON HUNTING (2023)
Hunting is one of those things. Only insiders or outsiders seem to know about it. Accordingly, it is usually romanticized (in the media) or dismissed as murderous. And so, for centuries, ideology has obscured the view of the essential: The mysterious bond that connects the hunter with nature and is torn apart again and again by the shot. WILD IN THE MOUNTAINS is a quiet and sensitive meditation on killing and our relationship with nature, which follows the heels of the hunter as an exemplary figure. A film about the “sweat” of the hunter and the sweat/blood of the game. A search for traces off the beaten track and positions. A film that wants to seduce to see and to hear. Winner at NEW YORK INDEPENDENT CINEMA AWARDS (2023), HONGKONG INDIE FILM FESTIVAL (2024) and NATURE WITHOUT BORDER FESTIVAL (2024), Semifinalist in ROTTERDAM, SAN JOSE, SACRAMENTO and CHICAGO. More Nominations at GRAZ MOUNTAINFILM FESTIVAL (2023) and SALZBURG BERGFILMFESTIVAL (2023).
EVERYMAN ON JOURNEY. THE WORLD SURVEY OF A HOMELESS (2021) was such a film. It does not understand itself as a historical approach to the legendary theater maker, but as a positioning of the Syrian author, which repeatedly ignites itself at the person of Max Reinhardt and his castle – this spectacularly artificial and artistic place. The detour through the other marks a search for traces that repeatedly throw the author back onto what constitutes his identity and externally imposed fixations. Max Reinhardt, the absent and always foreigner, thus becomes part of a puzzle in which ever new perspectives are revealed and even some passages from JEDERMANN can be re-read as a biographical commentary on the upstart Reinhardt. Winner at NEW YORK INDEPENDENT CINEMA AWARDS (2022) and TORONTO FILM AND SCRIPT AWARDS (2022), Semifinalist at SAN JOSE INDEPENDENT FILM FESTIVAL (2022). More Nominations in MONTREAL und BARCELONA.
SHADOWS OF LIGHT. THE OTHERWORLDS OF BARTHOLOMÄUS RESCH (2020) was also such a film. And yet quite different, because I was only brought into the film project late. At a point where everything had already been filmed. Walter Fanninger created images of great quality – about a unique heavy metal festival in the mountains of Austria and its opaque master of ceremonies, Bartholomäus Resch. What was missing was a narrative gravitational field that holds the images together even without a voice-over. By discovering the underlying plot lines and a new working title, everything comes together magically and without meta-explanation. The rest of the editing process is playful and surprisingly reveals a secret structure. The awards in Paris as BEST EUROPEAN INDEPENDENT DOCUMENTARY 2020 and in AUSTIN/TEXAS at the ARTHOUSE FESTIVAL were a wonderful addition.
Here are the trailers for the films.”